Ilja Krumins from Gamechanger Audio explains at the Superbooth 2019 how the Motor Synth works and gives a demo of how the Motor Synth may sound like.
Find out if Ilja is going to destroy the speaker.
Many thanks to Ilja for the interview.
Tips & Tricks: MXR Carbon Copy Deluxe
Several times I found in guitar forums the comment that some guitarists can`t deal with the mix pot of the MXR Carbon Copy Deluxe. It is true: you have to turn the pot into full clockwise direction to get a delay signal which is a bit louder than the clean guitar signal. Continue reading “Tips & Tricks: MXR Carbon Copy Deluxe”
DMB Pedals Lunar
The DMB Pedals Lunar is a moderate pedalboard-friendly analog delay with a design that is in colour pretty uncommon. Continue reading “DMB Pedals Lunar”
Eventide Rose Delay with a synthesizer (Superbooth 2019)
This is a demo of how to use the Eventide Rose Delay with a synthesizer.
Special thanks to Collin Bevan from Eventide who answered to my questions at the SUPERBOOTH 2019.
Delay pedals for bass players?
Delay pedals are a great invention and every guitarist should own at least one. But not only guitarist can benefit from the effects of a delay pedal. Bass players also can venture into a new realm by using a delay pedal. But there is one thing you should take into consideration. Continue reading “Delay pedals for bass players?”
SUPERBOOTH 2019
Here are some impressions from the SUPERBOOTH 2019 in Berlin.
SUPERBOOTH Berlin 2019
The number of patch cables was almost countless and the music to a large extend digital. But nevertheless, the SUPERBOOTH, which took place in Berlin for the fourth time, had to offer also interesting innovations for the guitar gear lovers. Continue reading “SUPERBOOTH Berlin 2019”
7 questions to Josh Scott (JHS Pedals)
In this month, once more one of my very own pedal heroes answered to the 7 questions of the DelayDude.
Therefore, I proudly present an Interview with Josh Scott, the founder and head of JHS Pedals. Continue reading “7 questions to Josh Scott (JHS Pedals)”
Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 – Delay Comparison
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Evolution of the pedalboard
Starting to play guitar, most guitarists dispense with effect pedals.
The guitar connected to the amp is all you need to be happy. Continue reading “Evolution of the pedalboard”
Diamond Memory Lane Jr.
Like its predecessors, the Diamond Memory Lane Jr. needs quite a lot space on the pedalboard.
In return, the digital version of the Memory Lane series offers 1200 ms maximum delay time that can be enjoyed in the analog or digital mode. Continue reading “Diamond Memory Lane Jr.”
Walrus Audio ARP-87 vs. MXR Carbon Copy Deluxe – Delay Comparison
This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe.
For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Effect pedal switcher
A pedalboard with many pedals on it offers various possibilities but at the same time, it is pressty complicated to switch between different pedals.
After adding tremolo and reverb to the clean sound of the verse, for the refrain you may want to switch abruptly to an overdriven sound. In this case you ought to be able to switch between three pedals at the same time.
How can switching operations like these be simplified? Continue reading “Effect pedal switcher”
Diamond Memory Lane 2
Like its predecessor, the Diamond Memory Lane 2 is a less pedalboard-friendly analog delay pedal.
The 550ms of maximum delay time are, accordingly to the Memory Lane, refined by the legendary Panasonic MN 3005 chip. Continue reading “Diamond Memory Lane 2”
Boss DD-7 vs. Source Audio Nemesis – Digital Delay Comparison
This is a Comparison of the Boss DD-7 with the Source Audio Nemesis. Besides the analog and digital delay sounds and the reverse mode of both pedals, I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
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