This is a comparison of the DOD Rubberneck vs Chase Bliss Audio Tonal Recall rkm:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Die Nummer 1, wenn es um Reparaturen, Modifikationen und Custom-Effektpedale geht
This is a comparison of the DOD Rubberneck vs Chase Bliss Audio Tonal Recall rkm:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
For a long time guitarist got along without compressor pedals or at best used a MXR Dyna Comp, but lately studio-compressors and their replicas became also for the guitar quite popular. Continue reading “Compressor Pedals”
The problem that the tempo of the loops created by loopers like the Digitech JamMan Stereo or the Boss RC-2 after a while vary in a certain way, in other words the looper gets out of sync and does not produce seamless loops anymore, has been discussed in many forums. Continue reading “Tips & Tricks: How to get seamless loops”
This is a Video of the new DigiTech SDRUM, the first intelligent drum-computer and the DOD Rubberneck analog Delay.
gear:
Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
In collaboration with Billy Corgan Electro Harmonix develops a reissue of the legendary V4 op-amp Big Muff. Continue reading “+++ News: Electro Harmonix puts a V4 op-amp Big Muff reissue on the market +++”
By this pedal DOD rely themselves on their own history- oriented on the sound on the legendary DOD 680 analog delay.
This is my first demo of the DOD Rubberneck:
gear:
Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
To me as a layperson the functionality of a tube-amp is a phenomenon and because of this fascination I decided to deal a bit more intensively with it.
Here I would like to explain (maybe some kind of inexpertly) try to explain how a tube-amplifier with cathode-bias works: Continue reading “How a tube-amp works – Part 1”
Whenever you read something about amplifiers you will hit terms like “Blackface”, “British sound” and “Tweet sound”. But what is meant by them? Continue reading “Types of amplifiers – Part 1”
This is a demo of my soundscaping-/ambient- pedalboard.
I used the following pedals:
PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Deluxe Reverb, PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame, Celestion G12M, Shure SM57, Cubase.
I guess every guitarist knows the three types of overdriven guitar-sounds: overdrive, distortion and fuzz.
But what is the difference between them? Continue reading “Overdrive – Distortion – Fuzz”
The Diamond Memory Lane 2 or the AnalogMan ARDX20?
Which pedal you should get depending on the sound you long for. Continue reading “Which Pedal should I get ? Memory Lane 2 vs. ARDX20”
This is a comparison of an analog voiced, PT 2399 based digital delay and an analog delay (Chase Bliss Audio Tonal Recall RKM).
gear: Fender Telecaster, Fender Deluxe Reverb, Celestion G12M, Shure SM57, Cubase.
For further information about the “delay(ed)”- delay don’t hesitate to ask the Dude ( de*******@*******de.de).
You……are looking for a certain sound, but you don’t know how to create it? Continue reading “Ask the Dude”
Especially in the songs of hard rock or heavy metal bands the guitars sound pretty voluminous and punchy.
One produces this kind of sound by combining several microphones for the recording but notably by doubling the guitar-tracks or by multi-tracking. Continue reading “Punchy Guitar-Sound”
Delays enrich th
e guitar-signal and create a vivid sound. There are numerous songs that get their very own character through the sound of a delay (f. e. many songs of U2).
There are different types of delays; each of them has got its advantages and disadvantages. Continue reading “Types of Delays”
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