This is a comparison of the new DOD Rubberneck with the legendary EHX Deluxe Memory Man:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the new DOD Rubberneck with the legendary EHX Deluxe Memory Man:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Some years ago only very few guitarists used reverb-effects, apart from a discreet spring reverb integrated into an amplifier. But today you can find almost every month a new reverb-pedal put on the market.
Here I would like to present some different types of reverb-effects. Continue reading “Reverb”
This is a comparison of the DOD Rubberneck vs Chase Bliss Audio Tonal Recall rkm:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
For a long time guitarist got along without compressor pedals or at best used a MXR Dyna Comp, but lately studio-compressors and their replicas became also for the guitar quite popular. Continue reading “Compressor Pedals”
The problem that the tempo of the loops created by loopers like the Digitech JamMan Stereo or the Boss RC-2 after a while vary in a certain way, in other words the looper gets out of sync and does not produce seamless loops anymore, has been discussed in many forums. Continue reading “Tips & Tricks: How to get seamless loops”
This is a Video of the new DigiTech SDRUM, the first intelligent drum-computer and the DOD Rubberneck analog Delay.
gear:
Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
By this pedal DOD rely themselves on their own history- oriented on the sound on the legendary DOD 680 analog delay.
This is my first demo of the DOD Rubberneck:
gear:
Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Whenever you read something about amplifiers you will hit terms like “Blackface”, “British sound” and “Tweet sound”. But what is meant by them? Continue reading “Types of amplifiers – Part 1”
I guess every guitarist knows the three types of overdriven guitar-sounds: overdrive, distortion and fuzz.
But what is the difference between them? Continue reading “Overdrive – Distortion – Fuzz”
The Diamond Memory Lane 2 or the AnalogMan ARDX20?
Which pedal you should get depending on the sound you long for. Continue reading “Which Pedal should I get ? Memory Lane 2 vs. ARDX20”
This is a comparison of an analog voiced, PT 2399 based digital delay and an analog delay (Chase Bliss Audio Tonal Recall RKM).
gear: Fender Telecaster, Fender Deluxe Reverb, Celestion G12M, Shure SM57, Cubase.
For further information about the “delay(ed)”- delay don’t hesitate to ask the Dude ( de*******@*******de.de).
Especially in the songs of hard rock or heavy metal bands the guitars sound pretty voluminous and punchy.
One produces this kind of sound by combining several microphones for the recording but notably by doubling the guitar-tracks or by multi-tracking. Continue reading “Punchy Guitar-Sound”
Delays enrich th
e guitar-signal and create a vivid sound. There are numerous songs that get their very own character through the sound of a delay (f. e. many songs of U2).
There are different types of delays; each of them has got its advantages and disadvantages. Continue reading “Types of Delays”
This is a comparison of the Diamond Memory Lane 2 with the Chase Bliss Audio Tonal Recall (red knob mod).
Gear: Fender Telecaster, Fender Princeton Reverb, Celestion G12M, Shure SM57, Cubase. Continue reading “Chase Bliss Audio Tonal Recall RKM vs. Diamond Memory Lane 2”
More and more guitarists use a low volume setup while playing their guitar at home. In this case drum computer and loopers are perfect devices for songwriting or practicing.
Here I would like to introduce some different loopers of several manufacturers. Continue reading “Looper”
You must be logged in to post a comment.