Tag: Pedalboard

+++ NAMM 2019 News Part 4+++

NewsThe rumor mill is churning….
Here I would like to present the last part of a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 4+++”

+++ NAMM 2019 News Part 3+++

NewsThe rumor mill is churning….
Here I would like to present a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 3+++”

Gamechanger Audio Plus Pedal vs. Electro Harmonix Superego

This is a comparison of the Gamechanger Audio Plus Pedal with the Electro Harmonix Superego.
In the first part you will hear the wet signal only.
The last part offers sounds ot the respective special modes of both pedals (layers mode of the Plus Pedal/ Gliss effect of the Superego).

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

+++ NAMM 2019 News Part 2+++

NewsBefore the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present the second selection of interesting news: Continue reading “+++ NAMM 2019 News Part 2+++”

Big Pedalboard – All pedals midi sync

This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.

The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.

gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.

Downsizing Part 2

PedalboardLarge pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”

Synthesizer – more than 80s sounds

moog-minitaur„Synthesizer“ – this word and everything associated with it give shivers of horror to many guitarists and bass players. Instantly, the horrible sounds of the 80s come to one’s mind and the keyboarders actually have never been the popular members of a band. Continue reading “Synthesizer – more than 80s sounds”

Fulltone Tube Tape Echo vs. Line6 DL4 – Delay Comparison

This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

7 questions to Hunter Van Houten

7 questions toHunter Van Houten produces beautiful custom guitars by hand. For all those, who are still looking for their very own perfect guitar, his workshop might be a very interesting address.
This is why I decided to have a closer look to the man behind these special instruments. Continue reading “7 questions to Hunter Van Houten”

Electro Harmonix Deluxe Memory Man vs. TC Electronic Flashback – Delay comparison

This is a comparison of the Electro Harmonix Deluxe Memory Man with TC Electronic Flashback. Find out if the digital emulation sounds like the analog original.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Eventide H9 vs. Source Audio Ventris – Reverb comparison

This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Blind Analog Delay Comparison – DOD Rubberneck vs. Electro Harmonix Deluxe Memory Man

This is a blind comparison of the DOD Rubberneck wth the Electro Harmonix Deluxe Memory Man.

gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Solution: Continue reading “Blind Analog Delay Comparison – DOD Rubberneck vs. Electro Harmonix Deluxe Memory Man”

How to combine effect pedals – not every combination works fine

Ask the DudeSome combinations of effect pedals are awkward – similar to human relationships: some won’t get along well with one another. Continue reading “How to combine effect pedals – not every combination works fine”