History
The Colorsound Tone Bender has been invented in the legendary Denmark Street in London. Continue reading “Legendary overdrive pedals 3 – Tone Bender”
HistoryThe Colorsound Tone Bender has been invented in the legendary Denmark Street in London. Continue reading “Legendary overdrive pedals 3 – Tone Bender”
The Electro Harmonix Big Muff is one of the most legendary overdrive pedals ever invented.
I guess, almost every guitarist used this pedal at least once in his career.
The most famous are David Gilmour, Billy Corgan, Jack White, J. Mascis and John Frusciante. Continue reading “Legendary overdrive pedals (2) – Big Muff”
This is a blind comparison of the Electro Harmonix Deluxe Memory Man with the Fulltone Tube Tape Echo.
Following the promise of the manufacturer the Deluxe Memory Man provides a maximum delay time of 550 ms.
But in spite of all promises made by advertisement the truth mostly is a different one. Continue reading “EHX Deluxe Memory Man – Time increase modification”
This is a comparison of the Source Audio Nemesis with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Big Box Deluxe Memory Man is by far one of the best delays that have ever been invented.
But the size of the enclosure is tremendous.
But is there a delay that sounds like the Electro Harmonix Deluxe Memory Man? Continue reading “Is there a delay sounding like the Deluxe Memory Man? Part2”
The times of dish-sized Fuzz Face pedals are over – the trend is towards even smaller mini effect pedals.
But with regard to this mini pedals there are some things, the manufacturers should consider. Continue reading “Things, mini pedal manufacturers should take into account”
Besides spectacular delays every analog delay produces white noise.
Generally, one can say that the proportion of white noise increases in dependency of the delay time.
To some this unintended noise represent an important part of an analog character, others prefer digital delays to produce a signal that is more clear. Continue reading “Are there analog delays without white noise?”
This is a comparsion of Gamechanger Audio Plus Pedal vs. Electro Harmonix Freeze.
Both pedals are pretty suitable to create innovative and creative sounds.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Right after the advent of first rumors, NAAM news and reviews the pedal addict is longing for the releasing day of the coveted pedal.
Unable to wait, the European guitarists are tempted to order the stompbox in the United States before it is available in Europe. Continue reading “The first batch Problem”
This is a comparison of the MXR Carbon Copy Deluxe with the Electro Harmonix Deluxe Memory Boy.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The TC Electronic 2290 might the most legendary digital delay ever.
You can find it in countless studios and racks.
But what is it that makes this device legendary? And are there adequate emulation pedals? Continue reading “The sound of the TC Electronic 2290 in a stompbox?”
This is a Comparison of the MXR Carbon Copy Deluxe with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
At the moment flanger pedals are rather unpopular- maybe because they have been used far too often in the 80s or maybe because of their distinctive sound.
But not all flange effects are equal and depending on the way of use a flange effect can sound quite interesting. Continue reading “Flanger”
The charm of tape delays is unique, and their digital emulations are pretty popular.
But what makes this tape echo sound and is it possible to get this sound without a tape echo emulation? Continue reading “Tips & Tricks: Tape delay sounds without a tape?”
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