Die Nummer 1, wenn es um Reparaturen, Modifikationen und Custom-Effektpedale geht
This is a comparison of two different 12″ speakers which have been (one by one) built into the same Fender Silverface Deluxe Reverb amp.
The first one is a Jensen C12 N Ceramic (current model).
The second one is a Vintage Oxford speaker.
Because I am the DelayDude, I do (self-evident) use a delay for this comparison.
Jazzmaster mit P90, Strymon DIG, Silverface Deluxe Reverb, Fame SC1100 Condenser Microphone, TS202 preamp, EMU 1820M, Cubase.
„Synthesizer“ – this word and everything associated with it give shivers of horror to many guitarists and bass players. Instantly, the horrible sounds of the 80s come to one’s mind and the keyboarders actually have never been the popular members of a band. Continue reading “Synthesizer – more than 80s sounds”
The Boss DM-2 analog delay is legendary. Although it is important to differentiate if you have got one with a 3205 or one with a 3005 chip. Continue reading “Boss DM-2 Analog Delay”
This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Unfortunately, our world is not always good. And in the music business also it is valid: as soon as there is something valuable, there will be falsified copies of it. But how can experts identify fakes? Continue reading “Fake replicas of effect pedals, amps and guitars”
Hunter Van Houten produces beautiful custom guitars by hand. For all those, who are still looking for their very own perfect guitar, his workshop might be a very interesting address.
This is why I decided to have a closer look to the man behind these special instruments. Continue reading “7 questions to Hunter Van Houten”
This is a comparison of the Electro Harmonix Deluxe Memory Man with TC Electronic Flashback. Find out if the digital emulation sounds like the analog original.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The sounds you already know will shape your acoustic habits and expectations and every new impression of sound will be measured by these aspects.
Continue reading “Other history = other ideas of a good sound?”
The Boss DD-7 digital delay is quite unpretentious, like the Boss DD-6. Continue reading “Boss DD-7 Digital Delay”
This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Analog delay pedals are not all equal. By now, there are so many different pedals that you cannot speak of THE analog delay sound anymore. Continue reading “Analog delay sound”
The Boss DD-6 is a pedalboard-friendly digital delay without any embellishments. Continue reading “Boss DD-6 Digital Delay”
This is a blind comparison of the DOD Rubberneck wth the Electro Harmonix Deluxe Memory Man.
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Some combinations of effect pedals are awkward – similar to human relationships: some won’t get along well with one another. Continue reading “How to combine effect pedals – not every combination works fine”
The Boss DD-5 Digital Delay is as pedalboard-friendly as many Boss pedals are used to be. Continue reading “Boss DD-5 Digital Delay”
You must be logged in to post a comment.