This is a comparison of the Moog Moogerfooger MF-104M with the DOD Rubberneck:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Tips & Tricks: How to set up a guitar
For good music the guitarist need the right attitude and his guitar needs the right adjustment. Continue reading “Tips & Tricks: How to set up a guitar”
Tips & Tricks: Power for pedals – 9V or more?
To almost all producers of guitar effect pedals 9V still is the one and only standard. But who has set this norm? And is 9V really the best option for effect pedals? Continue reading “Tips & Tricks: Power for pedals – 9V or more?”
Neunaber Expanse vs. Strymon Big Sky – Reverb Comparison
This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Tips & Tricks: How to mic an amp (part 2) positioning
Besides choosing the right microphone, the positioning in front of the amplifier is decisive for the sound of a record.
Continue reading “Tips & Tricks: How to mic an amp (part 2) positioning”
fragile heroes debut – The Paw
This is the debut video of the band fragile heroes:
My Top 10 delays
These are the top 10 analog delays.
Of course this ranking is absolutely subjective. Continue reading “My Top 10 delays”
Review: Hudson Electronics – Broadcast
The Hudson Electronics Broadcast is an innovative booster and overdrive pedal that has been debuted in different versions. It is based on the classic broadcast consoles of the 1960s. Continue reading “Review: Hudson Electronics – Broadcast”
DigiTech SDRUM in sync with TC Electronic DITTO X4
This is a demo of the DigiTech SDRUM in sync with the TC Electronic DITTO X4.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet.
After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.
Analog pedals vs. digital emulations
Frequently the question arises which kind of pedal to chose: an analog one or a digital emulation?
It almost seems to be an article of faith and this is why I would like to illuminate this controversal issue. Continue reading “Analog pedals vs. digital emulations”
Review: Tubescreamer
The world of guitarists is divided into two parts: on one side you can find those who love the Tubescreamer and on the other side there are the Tubescreamer haters. Continue reading “Review: Tubescreamer”
Moog Moogerfooger MF-104M vs. Chase Bliss Audio Tonal Recall RKM
This is a comparison of the Moog Moogerfooger MF-104M and the Chase Bliss Audio Tonal Recall RKM.
Both delays have an analog circuit, modulation and tap tempo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Tips & Tricks: How to mic an amplifier (part 1) – Different types of mics
Microphones
For a nice guitar sound on stage or for recording in the studio the quality of the microphones is decisive. Here are some classics that are used quite often: Continue reading “Tips & Tricks: How to mic an amplifier (part 1) – Different types of mics”
Which pedal sounds like the Deluxe Memory Man (Part 1) ?
After the release of a new analog delay mostly the question arises if this pedal sounds like an old Deluxe Memory Man and if it is possible to replace this legendary pedal by the new one. Continue reading “Which pedal sounds like the Deluxe Memory Man (Part 1) ?”
Moog Moogerfooger MF-104M Analog Delay
This is a video of the legendary Moog MF-104M Analog Delay:
gear:
Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
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