This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo.
The comparison of an analog delay with a tape echo might be a bit extraordinary – but these two classics can definitvely compete with each other.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
I am particularly pleased to be able to present an interview today, that, to me, is like an advanced Christmas present.
Although he has got a lot of work right now, Mike Piera, better known as AnalogMan, took the time to answer to my 7 questions. Continue reading “7 questions to Mike Piera (AnalogMan)”
This is a comparison of the DOD Rubberneck with the DMB Pedals Lunar.
Both delays provide modulation and oscillation.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Although the Boss DD-2 does not show off with an extraordinary equipment, this delay pedal is definitively cult (8 of 10 points on my cult factor scale). Continue reading “Boss DD-2 digital delay”
This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.
The stomptrap offers the possibility to attach effect pedals to the pedalboard as well as, to change the pedals quick and easily without any adhesive residues.
This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
In the first part of this article, I dedicated myself to multi overdrive pedals in general.
In the second part I introduced some interesting analog multi overdrive pedals.
And in this last part I would like to present some digital multi pedals. Continue reading “Multi Overdrive Part 3”
In the first part of this article, I dedicated myself to multi overdrive pedals in general.
In this part I would like to introduce some interesting analog multi overdrive pedals in detail. Continue reading “Multi Overdrive Part 2”
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.
In the first part of this article, I would like to engage with multi overdrive pedals in general.
In the second and third part I would like to introduce some interesting analog multi overdrive pedals in detail. And the third part will be dedicated to digital multi overdrive pedals. Continue reading “Multi Overdrive Part 1”
The Seymour Duncan Vapor Trail is a beautiful analog delay which additionally provides a modulation with its speed and depth adjustable. Continue reading “Product of the month: Seymour Duncan Vapor Trail”
Lehle is one of the leading makers of innovative switching solutions.
I personally am a convinced user of several switchers and loopers of the German manufacturer who skillfully combines reliable functionality and stylish design.
Therefore, I am proud that Burkard Lehle was willing to answer to my 7 questions. Continue reading “7 questions to Burkard Lehle”
The Royal TS II is an amp-like overdrive pedal that is handmade in Germany.
It is perfect for British sounds and definitely more than a simple clone of the Ibanez Tubescreamer. Continue reading “Review: Royal TS II Overdrive”
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