+++ NAMM 2019 News Part 3+++

NewsThe rumor mill is churning….
Here I would like to present a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 3+++”

Gamechanger Audio Plus Pedal vs. Electro Harmonix Superego

This is a comparison of the Gamechanger Audio Plus Pedal with the Electro Harmonix Superego.
In the first part you will hear the wet signal only.
The last part offers sounds ot the respective special modes of both pedals (layers mode of the Plus Pedal/ Gliss effect of the Superego).

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

+++ NAMM 2019 News Part 2+++

NewsBefore the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present the second selection of interesting news: Continue reading “+++ NAMM 2019 News Part 2+++”

+++ NAMM 2019 News Part 1 +++

NewsBefore the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present a small selection of interesting news: Continue reading “+++ NAMM 2019 News Part 1 +++”

Big Pedalboard – All pedals midi sync

This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.

The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.

gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.

Downsizing Part 2

PedalboardLarge pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”

Fender Silverface Deluxe Reverb – Speaker Comparison (Jensen C12N vs. Vintage Oxford)

This is a comparison of two different 12″ speakers which have been (one by one) built into the same Fender Silverface Deluxe Reverb amp.
The first one is a Jensen C12 N Ceramic (current model).
The second one is a Vintage Oxford speaker.
Because I am the DelayDude, I do (self-evident) use a delay for this comparison.

Jazzmaster mit P90, Strymon DIG, Silverface Deluxe Reverb, Fame SC1100 Condenser Microphone, TS202 preamp, EMU 1820M, Cubase.

Fulltone Tube Tape Echo vs. Line6 DL4 – Delay Comparison

This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Fake replicas of effect pedals, amps and guitars

Ask the DudeUnfortunately, our world is not always good. And in the music business also it is valid: as soon as there is something valuable, there will be falsified copies of it. But how can experts identify fakes? Continue reading “Fake replicas of effect pedals, amps and guitars”

Electro Harmonix Deluxe Memory Man vs. TC Electronic Flashback – Delay comparison

This is a comparison of the Electro Harmonix Deluxe Memory Man with TC Electronic Flashback. Find out if the digital emulation sounds like the analog original.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Other history = other ideas of a good sound?

Was wäreThe sounds you already know will shape your acoustic habits and expectations and every new impression of sound will be measured by these aspects.

Continue reading “Other history = other ideas of a good sound?”

Eventide H9 vs. Source Audio Ventris – Reverb comparison

This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.