Die Nummer 1, wenn es um Reparaturen, Modifikationen und Custom-Effektpedale geht
This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo.
The comparison of an analog delay with a tape echo might be a bit extraordinary – but these two classics can definitvely compete with each other.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”
I am particularly pleased to be able to present an interview today, that, to me, is like an advanced Christmas present.
Although he has got a lot of work right now, Mike Piera, better known as AnalogMan, took the time to answer to my 7 questions. Continue reading “7 questions to Mike Piera (AnalogMan)”
This is a comparison of the DOD Rubberneck with the DMB Pedals Lunar.
Both delays provide modulation and oscillation.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Every guitarist knows Gibson guitars: existing since 1902, this manufacturer started in 1952 to produce on of the most legendary guitar models: the Gibson Les Paul. Continue reading “Gibson – True Historic”
The Boss DD-3 is a pedalboard friendly standard delay. It comes along without any frills like tap tempo, tape emulation, modulation, true bypass or midi. Continue reading “Boss DD-3 Digital Delay”
This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
During the last years, two pedals have been put on the market which are especially interesting for sound scaping and ambient fans.
In principle, both effects are quite similar.
The Gamechanger Audio Plus Pedal, as well as the Electro Harmonix Freeze are so-called sustain-pedals, that are able to record and reproduce single notes or parts of chords via an integrated looper. Continue reading “Which pedal should I get: Electro Harmonix Freeze vs. Gamechanger Audio Plus Pedal?”
In contrast to most Boss stompboxes, the DD-20 is a rather less pedalboard-friendly pedal.
In exchange, it shines with spectacular 23 seconds maximum delay and loop time. Continue reading “Boss DD-20 digital delay”
This is a blind comparison of the Line 6 Echo Park with the Akai Headrush.
gear: Epiphone Riviera (with P-94 Pickups)Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Solution : Continue reading “Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush”
In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”
Although the Boss DD-2 does not show off with an extraordinary equipment, this delay pedal is definitively cult (8 of 10 points on my cult factor scale). Continue reading “Boss DD-2 digital delay”
This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.
The stomptrap offers the possibility to attach effect pedals to the pedalboard as well as, to change the pedals quick and easily without any adhesive residues.
The AnalogMan ARDX20 is a delay pedal with a completely analog circuit.
Because of its size it is rather less pedalboard-friendly, but especially accompanied by the AMAZEo it becomes an excellent delay pedal. Continue reading “AnalogMan ARDX20 Dual Analog Delay”
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