This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
These are the top 10 analog delays.
Of course this ranking is absolutely subjective. Continue reading “My Top 10 delays”
The Hudson Electronics Broadcast is an innovative booster and overdrive pedal that has been debuted in different versions. It is based on the classic broadcast consoles of the 1960s. Continue reading “Review: Hudson Electronics – Broadcast”
This is a demo of the DigiTech SDRUM in sync with the TC Electronic DITTO X4.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet.
After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.
Frequently the question arises which kind of pedal to chose: an analog one or a digital emulation?
It almost seems to be an article of faith and this is why I would like to illuminate this controversal issue. Continue reading “Analog pedals vs. digital emulations”
The world of guitarists is divided into two parts: on one side you can find those who love the Tubescreamer and on the other side there are the Tubescreamer haters. Continue reading “Review: Tubescreamer”
This is a comparison of the Moog Moogerfooger MF-104M and the Chase Bliss Audio Tonal Recall RKM.
Both delays have an analog circuit, modulation and tap tempo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
After the release of a new analog delay mostly the question arises if this pedal sounds like an old Deluxe Memory Man and if it is possible to replace this legendary pedal by the new one. Continue reading “Which pedal sounds like the Deluxe Memory Man (Part 1) ?”
This is a video of the legendary Moog MF-104M Analog Delay:
gear:
Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The market for guitar-effects has grown a lot in the recent years and therefore there has never been a wider range of pedals as today.
While the first boutique manufacturers focused themselves on the modification and the building of clones of old and rare pedals, the next generation of boutique manufacturers found a totally new way. Continue reading “Innovative boutique pedals”
Every guitarist knows the pulsating sound of a tremolo-effect. The Super Pulsar by Electro Harmonix is a tremolo pedal that provides controllability beyond the setting of speed and depth. Continue reading “Review: EHX Super Pulsar”
This is a comparison of the sound of a Fender Tweed Champ with the sound of a Fender Tweed Princeton.
In the first part of the comparison I use a Fender Telecaster and in the second part a Gibson Les Paul.
The Amps I am using for this comparison are clones with the original circuit of the respective amp.
This year two of the most remarkable pedals have been released: The Chase Bliss Audio Tonal Recall RKM and the DOD Rubberneck. A decision between these two pedals is pretty difficult. Continue reading “Which pedal should I get? Tonal Recall RKM vs. Rubberneck”
This is a comparison of two digital delays. The TC Electronic 2290 versus the Strymon DIG.
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
When a guitarist buys his first guitar he always gets also a pick and mostly this will be the brand he uses for the rest of his life while pedals, guitars, amps and speaker will be modified or changed frequently. Continue reading “Tips & Tricks : Picks”
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