Catalinbread Adineko

catalinbread adinekoThe Catalinbread Adineko is a pedalboard friendly digital delay. The 9V pedal dispenses with tap tempo, stereo in- and outputs, a looper as well as an input for an expression pedal or midi. Continue reading “Catalinbread Adineko”

Binson Echorec

Binson EchorecConcerning the categorization of delay pedals, guitarists mostly refer to analog delays, tape delays and digital delay pedals. But one true classic is often overlooked because it is pretty rare and only available in used condition: the Binson Echorec. Continue reading “Binson Echorec”

Big Pedalboard – All pedals midi sync

This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.

The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.

gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.

Fulltone Tube Tape Echo vs. Line6 DL4 – Delay Comparison

This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Boss DD-20 digital delay

Boss DD-20In contrast to most Boss stompboxes, the DD-20 is a rather less pedalboard-friendly pedal.
In exchange, it shines with spectacular 23 seconds maximum delay and loop time. Continue reading “Boss DD-20 digital delay”

Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush

This is a blind comparison of the Line 6 Echo Park with the Akai Headrush.

gear: Epiphone Riviera (with P-94 Pickups)Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Solution : Continue reading “Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush”

Digital delays

In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.

The perfect delay pedal – Part 2

Ask the DudeIn the first part of “The perfect delay pedal” I declared myself to be an analog delay fan and expressed myself for tap tempo and midi input.

This second part will be about more features, a perfect delay should – in my opinion – provide. Continue reading “The perfect delay pedal – Part 2”