This is a comparison of the MXR Carbon Copy Deluxe with the DOD Rubberneck.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Category: MXR
MXR Carbon Copy Deluxe vs. Electro Harmonix Deluxe Memory Man
This is a Comparison of the MXR Carbon Copy Deluxe with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Flanger
At the moment flanger pedals are rather unpopular- maybe because they have been used far too often in the 80s or maybe because of their distinctive sound.
But not all flange effects are equal and depending on the way of use a flange effect can sound quite interesting. Continue reading “Flanger”
Tips & Tricks: Tape delay sounds without a tape?
The charm of tape delays is unique, and their digital emulations are pretty popular.
But what makes this tape echo sound and is it possible to get this sound without a tape echo emulation? Continue reading “Tips & Tricks: Tape delay sounds without a tape?”
MXR Carbon Copy Deluxe vs. Boss DM-2 Analog Delay Comparison
This is a analog delay Comparison of the MXR Carbon Copy Deluxe with the Boss DM-2.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
My Top 10 delays
These are the top 10 analog delays.
Of course this ranking is absolutely subjective. Continue reading “My Top 10 delays”
Compressor Pedals
For a long time guitarist got along without compressor pedals or at best used a MXR Dyna Comp, but lately studio-compressors and their replicas became also for the guitar quite popular. Continue reading “Compressor Pedals”
New Delays in 2017
2017 numerous new pedals were put on the market. Especially for delays it seems that the Golden age has come. There have been some interesting innovations for both, the analog (because of the reissue of the MN2005-chip) and the digital delays. Continue reading “New Delays in 2017”
Chase Bliss Audio Tonal Recall RKM vs. MXR Carbon Copy
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the MXR Carbon Copy:
gear:
Fender Telecaster, Fender Princeton Reverb, Celestion G12M, Shure SM57, Cubase
For more videos of the Tonal Recall RKM click here.
Effect history (Part 4): The 80s shaped in racks
In the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (Boss, MXR, Ibanez and Electro Harmonix)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. Continue reading “Effect history (Part 4): The 80s shaped in racks”
Effect history (Part 3): die 70er – Revolution der Modulationseffekte
In den 70ern wurden zahlreiche Effekte entwickelt. Die ersten OP-Amps vereinfachten den Aufbau von Effektgeräten enorm. So konnten auch komplexe Modulationseffekte, wie zum Beispiel Phaser, Chorus, Auto Wah und Flanger Effektpedale umgesetzt werden. Continue reading “Effect history (Part 3): die 70er – Revolution der Modulationseffekte”
Ask the Dude: True Bypass vs. Buffer
“True bypass” – I guess, there is no term that is mentioned more frequently relating to the presentation of a new pedal. What does “true bypass” mean and does it have any advantages? Continue reading “Ask the Dude: True Bypass vs. Buffer”
Slash MXR Octave Fuzz
DelayDude Demo: MXR SF01 Slash Octave Fuzz
This is a demonstration of the MXR SF01 Slash Octave Fuzz. The signature pedal creates fuzz, octave up and octave down sounds.
Compressor Shootout
Part 1:
This is a comparison of the following five different compressor pedals:
- MXR DynaComp
- Analogman BiComprossor
- Xotic SP
- Barber Tone Press
- Diamond Compressor
- Origin Effects Cali76 CD
- Origin Effects Cali76 TX
The riff has been recorded on a Boss Looper .
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